What Are Womens Fashion Trends in the 1920s

Clothing in the 1920s

Canadian Domicile Periodical, 1920

Brazilian women salute Belgian monarchs on their arrival in Belo Horizonte, Brazil. 2 October 1920

A cartoon picturing French women's mode, c.1921

Lawn tennis player, Commonwealth of australia 1924

Western fashion in the 1920s underwent a modernization. For women, mode had continued to change abroad from the extravagant and restrictive styles of the Victorian and Edwardian periods, and towards looser habiliment which revealed more of the arms and legs, that had begun at to the lowest degree a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or 'Sportswear' became a part of mainstream fashion for the first time. The 1920s are characterized past two distinct periods of fashion: in the early part of the decade, change was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the Roaring Twenties. These styles continued to narrate fashion until the worldwide depression worsened in 1931.

Overview [edit]

After World War I, the United states entered a prosperous era and, as a result of its function in the war, came out onto the world stage. Social customs and morals were relaxed in the optimism brought on past the end of the war and the booming of the stock marketplace. Women were entering the workforce in tape numbers. In the United States, at that place was the enactment of the 18th Subpoena, or as many know it, Prohibition, in 1920. Prohibition stated that information technology would exist illegal to sell and consume booze. This lasted until 1933, so it was a constant for the whole 1920s era. They instilled this "noble experiment" to reduce law-breaking and corruption, solve social issues, reduce the tax brunt created past prisons and poorhouses, and better health and hygiene. The nationwide prohibition on booze was ignored by many resulting in speakeasies. Another important subpoena in the United States was the 19th Amendment, which gave women the right to vote. There was a revolution in almost every sphere of homo activity. Fashion was no exception; women entered the workforce and earned the correct to vote, and they felt liberated. Fashion trends became more accessible, masculine, and applied, creating the emergence of "The New Woman". Flappers was a pop proper name given to women of this time because of what they wore. The constrictive corset, an essential undergarment to make the waist thinner, became a matter of the by.^[1]

The development of new fabrics and new means of fastening vesture affected fashions of the 1920s. Natural fabrics such equally cotton and wool were the abundant fabrics of the decade. Silk was highly desired for its luxurious qualities, simply the limited supply made it expensive. In the late 19th century, "artificial silk" was first made in France, from a solution of cellulose. Afterwards being patented in the United States, the starting time American plant began product of this new fabric, in 1910. This fiber became known equally rayon. Rayon stockings became popular in the decade equally a substitute for silk stockings. Rayon was also used in some undergarments. Many garments before the 1920s were fastened with buttons and lacing. All the same, during this decade, the development of metallic hooks and eyes meant that there were easier means of fastening habiliment. Hooks and optics, buttons, zippers, and snaps were all used to fasten clothing.

Vastly improved production methods enabled manufacturers to hands produce clothing affordable past working families. The average person's manner sense became more sophisticated. Meanwhile, working-class women looked for mod forms of dress every bit they transitioned from rural to urban careers. Taking their cue from wealthier women, working women began wearing less expensive variations on the day suit, adopting a more modernistic await that seemed to suit their new, technologically focused careers as typists and telephone operators.^[ii]

Although simple lines and minimal adornment reigned on the runways, the 1920s were not free of luxury. Expensive fabrics, including silk, velvet, and satin were favored by loftier-end designers, while department stores carried less expensive variations on those designs made of newly bachelor constructed fabrics. The use of mannequins became widespread during the 1920s and served equally a way to show shoppers how to combine and accessorize the new fashions. The modern fashion wheel, established in the 1920s, still dominates the industry today. Designers favored separates in new fabrics similar jersey that could be mixed and matched for work and modern, informal, un-chaperoned social activities like attention films or the theater and car rides.^[two]

Women'south habiliment [edit]

Bellas Hess and Company advertise detail, 1920

By early 1920s, most women not dared to bob their hair, then they pinned upwardly to look shorter. Mlle Cayet, Queen of Parisian Carnival, 1922

Betwixt 1922 and 1923, the waistline dropped to the hips. The 1920s classic tubular manner was born. Parisian mode business firm Madeleine-et-Madeleine design, January, 1922.

Paris set the way trends for Europe and Northward America.^[3] The fashion for women was all near letting loose. Women wore dresses all day, every twenty-four hour period. Day dresses had a drib waist, which was a belt around the depression waist or hip and a brim that hung anywhere from the ankle on upwards to the human knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was direct, pleated, hank hem, or tiered. Pilus was often bobbed, giving a adolescent look.^[4]

Wearable fashions inverse with women's changing roles in guild, peculiarly with the idea of new fashion. Although society matrons of a certain age connected to vesture conservative dresses, the sportswear worn by forward-looking and younger women became the greatest change in post-war fashion. The tubular dresses of the 'teens had evolved into a similar silhouette that now sported shorter skirts with pleats, gathers, or slits to allow motility. The nigh memorable fashion trend of the Roaring Twenties was undoubtedly "the flapper" look. The flapper apparel was functional and flattened the bust line rather than accentuating it.^[1]

The directly-line chemise topped by the close-fitting cloche chapeau became the uniform of the day. Women "bobbed", or cut, their hair short to fit under the pop hats, a radical motion in the beginning, simply standard by the terminate of the decade. Low-waisted dresses with fullness at the hemline allowed women to literally kicking upward their heels in new dances like the Charleston. In 1925, "shift" type dresses with no waistline emerged. At the end of the decade, dresses were beingness worn with straight bodices and collars. Tucks at the bottom of the bodices were popular, equally well as pocketknife-pleated skirts with a hem approximately one inch beneath the knee.^[5]

In the world of art, fashion was being influenced heavily past art movements such as surrealism. Elsa Schiaparelli is i key Italian designer of this decade who was heavily influenced by the "beyond the real" fine art and incorporated it into her designs.

Proper attire for women was enforced for morning, afternoon, and evening activities. In the early office of the decade, wealthy women were however expected to alter from a morning to an afternoon dress. These afternoon or "tea gowns" were less course-plumbing equipment than evening gowns, featured long, flowing sleeves, and were adorned with sashes, bows, or bogus flowers at the waist. For evening vesture the term "cocktail wearing apparel" was invented in France for American clientele. With the "New Woman" likewise came the "Drinking Woman". The cocktail dress was styled with a matching hat, gloves, and shoes. What was then unique about the cocktail dress was that it could be worn non just at cocktail hours (six and 8pm), but by manipulating and styling the accessories correctly could be worn appropriately for any issue from 3 pm to the late evening. Evening gowns were typically slightly longer than tea gowns, in satin or velvet, and embellished with chaplet, rhinestones, or fringe.^[two]

Accessories [edit]

One of the key accessories in the 20s was the Cloche hat. "In 1926 Vogue stated 'The Bob Rules', but 9 years after the influential dancer, Irene Castle, cut her hair. This trending topic inspired a 1920 curt story by F. Scott Fitzgerald, called Bernice Bobs Her Pilus, and many editorials in Faddy throughout the decade."^[6] The bob hairstyle matched perfectly with the loose and direct silhouette of the times. During this era Vogue gave credit to this new cutting for the immense success of the lid business. New haircuts meant new styled hats, therefore there was a new craze for hats. The cloche hat and the bob were basically made for each other.

Jewelry was less conspicuous.^[seven] Jewelry was much less elaborate, and began using 'romantic', more natural shapes. The Fine art Nouveau motion of 1890-1910 inspired well-nigh of the natural forms and geometric shapes of the jewelry during the 1920s. "Artful make clean lines were inspired past designs institute in industrial machines. A fundamental influence of this modernism was the influential Bauhaus motility, with its philosophy of grade following role. Contrasting textures and color were too in fashion. Examples of irresolute tastes in design were the use of diamonds being prepare against onyx or trans lucid vitrines and amethysts juxtaposed confronting opaque coral and jade."^[8] Even though geometric shapes and cleaner shaped jewelry were now a trend, 1 of the fundamental pieces was the long rope pearl necklace. The long rope pearl necklace was a signature false piece that was sold everywhere at the time. It was inexpensive and basic in a woman's wardrobe. "Although buffeted past cycles of boom, depression and war, jewelry pattern between the 1920s and 1950s continued to be both innovative and glamorous. Sharp, geometric patterns celebrated the machine historic period, while exotic creations inspired past the Virtually and Far East hinted that jewelry fashions were truly international."^[9]

Shoes were finally visible during the 1920s. Before, long garments covered up shoes, then they weren't an important part of women's way. Now, shoes were seen past everyone and played an of import part during the 1920s. Women had all kinds of shoes for all kinds of events. Everything from house shoes, walking shoes, dancing shoes, sporting shoes, to pond shoes. The shoe manufacture became an important industry that transformed the way we purchase shoes today. Shoes were made in standard sizes perfect to lodge from fashion catalogs to the near boutique. In the beginning of the 1920s, Mary Janes were still popular from previous era, although they paved the way for the invention of many other shoes. The T-strap heel was a variation of the Mary Jane, having the same base with the improver of a strap going around the heel and down to the peak of the shoe that looked like a T. Too, "The bar shoe which fastened with a strap and a single button became popular during the 1920s. It was worn with the new short skirts and was practical for their vigorous way of dancing."^[10]

The influence of jazz [edit]

"The Jazz Age", a term coined by F. Scott Fitzgerald, was a phrase used to represent the mass popularity of jazz music during the 1920s.^[11] Both jazz music and dance marked the transition from the archaic societal values of the Victorian era to the arrival of a new youthful mod guild. Jazz gained much of its popularity due to its perceived exoticism, from its Afro-American roots to its melodic and soulful rhythm. The music itself had quite an alluring upshot on the new youthful society and was considered to be the pulse of the 1920s due to its spontaneity. With new music emerged new dancing. Jazz dances, such as the Charleston, replaced the slow waltz. Paul Whitman popularized jazz trip the light fantastic. In fact, jazz music and dance are responsible for the origin of the iconic term "flapper", a grouping of new socially unconventional ladies. When dancers did the Charleston, the fast motility of the anxiety and swaying of the artillery resembled the flapping movements of a bird.^[11] Jazz music sparked the need to dance, and dance sparked the need for new clothing, particularly for women to easily trip the light fantastic toe without existence constricted.

Dances such as the Charleston and the Blackness Lesser in item created a need for a revival in women'southward evening habiliment due to the dynamic and lively manner of these jazz dances. Dress and skirt hems became shorter in order to allow the body to motion more easily. In addition, decorative embellishments on dresses such as fringe threads swung and jingled in sync with the movement of the body. Lastly, the use of sleeky and ornate textiles mirrored low-cal to the tempo of jazz music and dance.^[12] Jazz music and its perceived exotic nature had both a flamboyant influence on way while keeping both form and function in mind.

Jazz and its influence on fashion reached fifty-fifty further, with both jazz and dance motifs making their way onto textiles. These new textile designs included uneven repetitions and linear geometric patterns. Many textile patterns produced in the Us likewise incorporated images of both jazz bands and people dancing to jazz.^[13] The print Rhapsody shows a cloth produced in 1925 representing a jazz band in a polka-dot similar manner.^[fourteen] Not only did textiles have motifs of people dancing and playing jazz music, they included designs that were based on the overall rhythmic feel and audio of jazz music and trip the light fantastic.

The adolescent figure [edit]

Undergarments began to transform afterwards World War I to conform to the ethics of a flatter chest and more boyish effigy. The female effigy was liberated from the restrictive corset, and newly pop the boyish look was achieved through the use of bust bodices. Some of the new pieces included chemises, thin camisoles, and cami-knickers, later shortened to panties or knickers. These were primarily made from rayon and came in soft, lite colors in order to be worn under semi-transparent fabrics.^[15] Young flappers took to these styles of underwear due to the power to motion more freely and the increased condolement when dancing to the high tempo jazz music. During the mid-1920s, all-in-1 lingerie became pop.

For the first time in centuries, women's legs were seen with hemlines rising to the knee joint and dresses becoming more than fitted. A more than masculine look became pop, including flattened breasts and hips, brusque hairstyles such equally the bob cut, Eton crop, and the Marcel moving ridge. The fashion was seen equally expressing a maverick and progressive outlook.

I of the beginning women to vesture trousers, cut her hair brusk, and reject the corset was Coco Chanel. Probably the most influential woman in mode of the 20th century, Chanel did much to further the emancipation and freedom of women's fashion.

Jean Patou, a new designer on the French scene, began making two-piece sweater and brim outfits in luxurious wool jersey and had an instant hit for his forenoon dresses and sports suits. American women embraced the clothes of the designer as perfect for their increasingly active lifestyles.

By the end of the 1920s, Elsa Schiaparelli stepped onto the stage to correspond a younger generation. She combined the idea of archetype design from the Greeks and Romans with the modernistic imperative for freedom of movement. Schiaparelli wrote that the ancient Greeks "gave to their goddesses... the placidity of perfection and the fabled appearance of freedom." Her ain interpretation produced evening gowns of elegant simplicity. Departing from the chemise, her apparel returned to an awareness of the body below the evening gown.

Style gallery 1920–25

Summer sport suit, 1920.
Actress Elaine Hammerstein, 1921. The forehead was usually covered in the 1920s, here by a hat reaching to the eyebrows.
Rolled stockings, 1922.
Robe de style, Lanvin, 1922.
Dress with a dropped waist and width at the hips, 1923.
Teenage girls in Minnesota wearing breeches and riding boots with men'southward neckties, 1924.
By 1925, skirts concluded just below the human knee. Tunic-tops and sweaters reaching to the hips were pop.

Style gallery 1926–29

Extra Aileen Pringle wearing a cloche lid and boldly patterned coat, 1926.
Actress Alice Joyce in a straight dress with a sheer beaded overdress, 1926.
A painting showing the mid-decade silhouette at its simplest: languid pose, bobbed hair, knee-length dress with dropped waist, 1926.
Woman with Umbrella, Ipolit Strâmbu, 1927. Designers used multiple hemlines (here, tiers of ruffles) to accustom the eye to longer skirts. This dress foreshadows the higher waist and feminine await that spread to everyday manner past the early 1930s.
Woman hiding a hip flask tucked in her garter chugalug during Prohibition, tardily 1920s.
May 1928, abdomen and curves. Subsequently many years of a "stovepipe" silhouette, "natural" curves were starting time to reappear.^[xvi]
Articulatio genus-length, pleated skirts and dropped waists were still pop as everyday apparel in 1929, though Paris designers were already showing longer skirts and higher waistlines.
Bridesmaids gowns of 1929 have articulatio genus-length underskirts and longer, sheer over skirts, foreshadowing the trend toward longer skirts. Minnesota, 1929.

Menswear [edit]

In menswear, in that location were two distinct periods in the 1920s. Throughout the decade, men wore short suit jackets, the sometime long jackets being used merely for formal occasions. In the early 1920s, men's fashion was characterized by extremely high-waisted jackets, ofttimes worn with belts. Lapels on adjust jackets were non very wide as they tended to be buttoned up loftier. This way of jacket seems to have been profoundly influenced by the uniforms worn by the armed forces during the Offset World War. Trousers were relatively narrow and straight and they were worn rather short so that a human's socks ofttimes showed. Trousers too began to exist worn cuffed at the bottom at this time.

By 1925, wider trousers commonly known as Oxford bags came into way, while suit jackets returned to a normal waist and lapels became wider and were ofttimes worn peaked. Loose-fitting sleeves without a taper too began to exist worn during this period. During the tardily 1920s, double-breasted vests, often worn with a unmarried-breasted jacket, also became quite fashionable. During the 1920s, men had a variety of sport clothes available to them, including sweaters and brusque trousers (commonly known in American English language every bit knickers). For formal occasions in the daytime, a morning suit was usually worn. For evening wear men preferred the short tuxedo to the tail coat, which was now seen equally rather onetime-fashioned and snobby.

Men's fashion likewise became less regimented and formal. Men favored brusque jackets with two or three buttons rather than jackets with long tailcoats equally well as pinstriped suits. Casual-wear for men often included knickers, short pants that came to the knee.^[i] The nigh formal men's suit consisted of a black or midnight-blue worsted swallow-tailed glaze trimmed with satin, and a pair of matching trousers, trimmed down the sides with broad braid or satin ribbon.^[17] A white bow tie, black silk top lid, white gloves, patent leather Oxford shoes, a white silk handkerchief, and a white flower boutonnière completed the outfit. The tuxedo belong could be blackness or white, but, dissimilar the obligatory total-dress white tie, tuxedos ties were always blackness. Men usually completed their tuxedo outfit with all the same accessories as the full-dress suit, except that instead of top hats they would wear nighttime, dome-shaped hats called bowlers. Just like women, men had certain attire that was worn for certain events. Tuxedos were appropriate attire at the theater, pocket-sized dinner parties, entertaining in the abode, and dining in a eatery. During the early 1920s, virtually men's apparel shirts had, instead of a collar, a narrow neckband with a buttonhole in both the front and back. By the mid-1920s, however, many men preferred shirts with fastened collars, which were softer and more comfortable than rigid, detachable collars.^[17]

Men's hats

Men'southward hats were ordinarily worn depending on their course, with upper class citizens ordinarily wearing top hats or a homburg hat. Centre-grade men wore either a fedora, bowler hat, or a trilby hat. During the summer months, a straw boater was popular for upper class and middle-form men. Working-form men wore a standard newsboy cap or a flat cap.

Way gallery

Publisher Edward Beale McLean wearing a 3-slice striped conform with a spread-neckband shirt, 1924.
German aviators, one a prince, 1929.

Fashion influences and trends [edit]

During the 1920s, the notion of keeping upward with manner trends and expressing oneself through material appurtenances seized centre-class Americans as never before. Purchasing new clothes, new appliances, new automobiles, new anything indicated i's level of prosperity. Beingness considered quondam-fashioned, out-of-date, or—worse yet—unable to afford stylish new products was a fate many Americans went to great lengths to avoid.^[17]

For women, face, effigy, crew, posture, and preparation had become important style factors in addition to clothing. In particular, cosmetics became a major industry. Women did not feel ashamed for caring near their advent and it was a annunciation of self-worth and vanity, hence why they no longer wanted to accomplish a natural await. For evenings and events, the popular look was a smoky eye with long lashes, rosy cheeks and a bold lip. To emphasize the optics, Kohl eyeliner became popular, and was the offset fourth dimension they knew anything of eyeliner (information almost Egyptian fashion was not discovered until later on on in the 1920s). Women as well started wearing foundation and using pressed pulverization. Besides, with the invention of the swivel lipstick, lipstick was on the ascension with bright colors and they applied their lipstick to achieve a cupid's bow and "bee stung" look.

Glamour was now an important way trend due to the influence of the motion picture industry and the famous female movie stars. Style, at many social levels, was heavily influenced past the newly created, larger-than-life pic stars. For the first time in history, mode influences and trends were coming from more than one source.^[5] Non unlike today, women and men of the 1920s looked to movie stars every bit their style icons. Women and men wanted to emulate the styles of Hollywood stars such as Louise Brooks, Greta Garbo, Rudolph Valentino, and Clark Gable.^[ane]

Work apparel [edit]

For working course women in the 1920s, tailored suits with a straight, bend less cutting were pop. Throughout the decade, the lengths of skirts were rise to the human knee then to the ankle diverse times affecting the skirt mode of tailored suits.^[18] Rayon, an artificial silk fabric, was most common for working-class women clothing.^[19]

For working-grade men in the 1920s, suits were popular. Depending on the chore title and season of the year, the suit would change.^[xx] These would have featured high lapels and were frequently made of thick wool material before the appearance of central heating.^[21]

Children'due south fashion [edit]

Fashion for children started to become more fashionable and comfy in the 1920s. Clothes were made out of cotton and wool rather than silk, lace, and velvet. Clothes were besides made more sturdy in order to withstand play. During previous decades, many layers were worn; however, during the 1920s, minimal layers became the new standard.^[22]

For girls, wearable became looser and shorter. Dresses and skirts were now knee joint length and loose plumbing equipment. Shoes were also made out of sail, making them lighter and easier to wear.^[22]

For boys, genu-length trousers were worn all year long and would be accompanied by ankle socks and sail shoes. Pullovers and cardigans were also worn when the weather became cooler.^[22]

Roller-skater, Mississippi, 1921.
Children's manner, Deutschland, 1925.

Run into also [edit]

Cosmetics in the 1920s
Roaring Twenties
Flapper
Interwar period

Notes [edit]

^ ^a ^b ^c ^d Marsha West. Manner Trends of the Twenties. July ane, 2008.
^ ^a ^b ^c Fashion in the 1920s (Overview). Pop Civilisation Universe: Icons, Idols, Ideas. ABC-CLIO, 2011. Retrieved December 24, 2012.
^ Mary Louise Roberts, "Samson and Delilah revisited: the politics of women's style in 1920s France". American Historical Review 98.3 (1993): 657-684.
^ Steven Zdatny, "The Boyish Look and the Liberated Adult female: The Politics and Aesthetics of Women'due south Hairstyles." Manner Theory 1.4 (1997): 367-397.
^ ^a ^b Ballad Nolan. "Ladies Fashions of the 1920s". Retrieved Dec 24, 2012.
^ "Faddy by the Decade". Vogue.
^ Simon Bliss, "'Fifty'intelligence de la parure': Notes on Jewelry Wearing in the 1920s." Fashion Theory 20.1 (2016): 5-26.
^ "1920s Jewellery Style and Inspiration". Winterson.
^ "A history of jewellery". Victoria and Albert.
^ Sancaktar, Asli. "An Analysis of Shoe Within the Context of Social History of Mode" (PDF).
^ ^a ^b Langley, Susan (2005-09-28). Roaring '20s Fashions: Jazz. Atglen, PA: Schiffer Publishing. ISBN9780764323195.
^ Hannel, Susan Fifty. (2005). "4 The Influence of American Jazz on Fashion". Twentieth-Century American Manner. Clothes, Body, Civilisation. doi:10.2752/9781847882837/tcaf0008. ISBN9781847882837.
^ Hannel, Susan 50. (2002). The Africana craze in the Jazz Age : a comparison of French and American style, 1920-1940 / (Thesis). ^{[ permanent dead link ]}
^ "Fabric, Americana Print: Rhapsody, 1925". Cooper Hewitt, Smithsonian Design Museum . Retrieved 2017-10-09 .
^ Thornton, Zita (2011). Style for a Jazz Historic period. Chicago, IL: Lightner Publishing Corp. p. 39.
^ "Back to Beauty". The Spirella Magazine. May 1928. p. 72.
^ ^a ^b ^c Bob Batchelor. "Fashion in the 1920s". American Popular: Popular Civilization Decade by Decade, Volume one: 1900–1929. Greenwood Press, 2009. pp. 292-302.
^ Vermont, Jens Hilke, University of. "Women's Clothing - 1920s - Article of clothing - Dating - Landscape Change Program". www.uvm.edu . Retrieved 2016-eleven-15 .
^ "History of Womens Way - 1920 to 1929 | Glamourdaze". glamourdaze.com . Retrieved 2016-xi-fifteen .
^ "What Did Women & Men Wear in the 1920s?". VintageDancer.com. 2013-06-21. Retrieved 2016-11-xv .
^ "1920s Men's Mode From Peaky Blinders To Gatsby". The Costume Rag. 2019-12-thirteen. Retrieved 2019-12-17 .
^ ^a ^b ^c "1920 Children'south Fashion Facts". LoveToKnow . Retrieved 2016-10-17 .

Farther reading [edit]

Arnold, Janet: Patterns of Fashion 2: Englishwomen'southward Dresses and Their Construction C.1860–1940, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 0-89676-027-8
Blackness, J. Anderson, and Madge Garland, A History of Fashion, New York, Morrow, 1975
Boucher, François: 20,000 Years of Fashion, Harry Abrams, 1966.
Laver, James: The Concise History of Costume and Fashion, Abrams, 1979.
Nunn, Joan: Style in Costume, 1200–2000, 2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at The Victorian Web)
Russell, Douglas A. " Costume History and Style" Stanford University, 1983.
Steele, Valerie: Paris Fashion: A Cultural History, Oxford Academy Press, 1988, ISBN 0-19-504465-7
Steele, Valerie: The Corset, Yale University Printing, 2001
The Spirella Mag; MAY 1928
Children's manner of the 1920s

External links [edit]

1920s Fashion Plates of men, women, and children's way from The Metropolitan Museum of Art Libraries
Photographs from the 1920s taken by lensman, Henry Walker at the University of Houston Digital Library
"1920s - 20th Century Fashion Cartoon and Analogy". Fashion, Jewellery & Accessories. Victoria and Albert Museum. Archived from the original on 2011-01-08. Retrieved 2011-04-03 .